Tuesday, April 30, 2013

Get to Know You



There's a lot of great software out there.
There are lots of ways to better take advantage of resources you already have available.
Many ways to create good, sustaining, writing rituals.
And to protect your time and writing space.

In almost every single post, I've found myself writing something along the lines of, "This may not be for everyone."

And the reason for that?

Because the best writing hack is You.

What do you want? What kinds of books do you want to write? Which things will most help you achieve those goals? Are you a morning writer, or an evening writer? Do you feel stifled by a daily wordcount, or does it energize you? Do you prefer a longhand notes notebook, or does storyboarding software make your fingers tingle with joy?

The best way to make the most out of your writing time is to pay attention...to yourself. Because what makes your writing time tick isn't what makes mine tick. What works for one person won't necessarily work for everyone.

The key is to know yourself as a writer. This might come through journaling about your writing process, or through trying different things and throwing them out, or simply by experiencing yourself as you write.

But most importantly, it involves writing.

Know yourself. When you do, whatever system you have will be the most "hacked" and the best one there is...

...for you.

Thanks for coming along on my first A-Z! It's been super fun, and I've loved getting to surf around to so many different blogs. I hope to write an A-Z recap next week, with some important new lessons that the A-Z experience taught me about writing, of course!

In the meantime, happy writing.

This month I'm participating in the A-Z blog challenge. My theme is "writer hacks," or 26 shortcuts you can do as a writer to get the most out of writing and the journey toward and through publication. Find out more about it at a-to-zchallenge.com, and hop around to read the other cool blogs that are part of the challenge!

Monday, April 29, 2013

Wrangle Story Research With Zotero

Merp? But it's the penultimate day, you say. Why am I posting "Z"? Well, as I was looking at my topics, I realized that the best and most important writing hack is "Y," and that "Y" would be a great one to end this little journey. So I'm going to post "Z" today, and "Y" to end everything tomorrow.

As a broke grad student (wait, that's redundant), one is always on the lookout for inexpensive solutions to problems. And one problem I have as a grad student is citation management. A friend tipped me toward an open-source citation manager called Zotero.

Right. So Zotero does all those cool things like throw in an in-line citation (Schley 2013) and create a bibliography. Neither of which are things a fiction writer often has to do, though if you need something more robust, it can handle that.

But what really makes Zotero nice for my fiction writing is its ability to wrangle multiple types of sources at once. For instance, I can have a PDF of an article attached to its citation so that the citation automatically launches the PDF when I need it. Or, the reference might be for a URL for a website with great info. Or perhaps I check a book out of the library, and make notes about the important stuff that's relevant to my novel right into the citation, and then, if I need the book again, all the info about which book it was is right at my fingertips so that I can check it back out.

Then, I can group all my citations for any given book into a folder, so that all the resources I've used for one book appear in one place. 

Best of all? I can tag all those sources with their topics or any other tag that is relevant to me. The sources still stay in the main bin, but they can be pulled up by tag. For instance, I try to keep heavy research to two books, so that at any given time, I'm doing two spins on the same set of research. So for Book A I might need resources on topic Q, but I'll need topic Q resources for Book B, also. When I begin outlining Book B, instead of just browsing everything I set aside for Book A, I can just click on the tag for topic Q, and add those citations to a new folder.

We're all trying to craft a story that our readers can get lost in with full suspension of disbelief. But to do that well means potentially keeping track of a lot of little niggling details. Zotero lets me outsource some of that work, so that I can focus on the important part: the writing.

What do you use, if anything, to keep track of where your noveling research has taken you? Bookmarking sites? Goodreads or Library Thing? Your Amazon Wish List?

Zotero

This month I'm participating in the A-Z blog challenge. My theme is "writer hacks," or 26 shortcuts you can do as a writer to get the most out of writing and the journey toward and through publication. Find out more about it at a-to-zchallenge.com, and hop around to read the other cool blogs that are part of the challenge!

Saturday, April 27, 2013

Use X-Ray to Improve Your Structure

So, I'm not a giant fan of the 'Zon, for a lot of reasons (and actually, none of which have to do with my being employed by their main competitor, as it's a part time job and my world wouldn't crash if suddenly my employer disappeared). But I definitely have to give them props for the things they do well, for instance, their fabulous book-finding algorithms.

One thing the 'Zon does really well is the X-Ray feature on Kindle. And it works on the Kindle apps, too, so you can discover it even if you don't have a Kindle. X-ray was designed to allow people to surf easily through a book for all the mentions of a particular character, to define terms, and basically to allow people to more easily navigate a book.

But I've found it is helping me think about novel structure in a way I haven't before.

For instance, here is a screenshot from my iPad of an X-ray from a Kindle book I enjoyed recently, SOMETHING LIKE NORMAL, by Trish Doller.




Looking at this page, I can see a few things. How often is the MC's old love interest mentioned? (Paige Manning) How about one of his close friends? (Ken Chestnut) How much time does the author spend explaining and talking about the Marines? (not a lot)

I can also see how dense these mentions are. The first part of the book is about Travis coming home to North Carolina; the second half is more about him reconnecting with his Marine buddies and coming to grips with what happened to all of them in Afghanistan. As I think about that in parallel with looking at how often and where these characters get mentioned, I can see that in the beginning, there's a lot of to-do about the ex-girlfriend, and while she's still present as the book goes on, her mentions get shorter and more infrequent. By contrast, the love interest, Harper, has exactly the opposite trajectory.

X-Ray lets you see a book's structure at a glance, and lets you peer into the clockwork of books you think work well (and perhaps books you thought did not). Where should it be unbalanced, and where should it be balanced? Which characters get a lot of screentime, and which do not? And importantly, how does that compare to how I've handled the same issues in my own work? It helps me see not only what works in another novel, but also what I can do to improve my own.

Do you have a helpful method for thinking about how you've structured your novels? 

This month I'm participating in the A-Z blog challenge. My theme is "writer hacks," or 26 shortcuts you can do as a writer to get the most out of writing and the journey toward and through publication. Find out more about it at a-to-zchallenge.com, and hop around to read the other cool blogs that are part of the challenge!

Friday, April 26, 2013

Take Word to the Max

I've talked about many of my favorite writing software packages in this A-Z, including Scrivener and Ommwriter. But the reality is, most of the time, you'll find me working in plain old Microsoft Word. What can I say? I'm old school. I'm comfortable with Word, and I like the way it feels. I know the keyboard shortcuts. I get around it easily.

But I find a lot of folks open Word, write some text, and close Word, and if you're going to only do that, you might as well just use something like TextWrangler or WordPad. As they say, the secret's in the sauce. Here are a few ways to get exactly what you want out of Word:

Thursday, April 25, 2013

Edit Better by Switching Views

I was opening a document from an email one day, and it launched directly into this beautiful, full-screen thing, where the print was sized large enough that it was easy to read, and every other application I had was blocked out.

"This is gorgeous," I thought. "It'd be nice to write in this."

I had just discovered reading View.

Say what you want about Microsoft Word (and there's plenty to say), but it does have some pretty nifty features. And like Internet Explorer, MS software still is the default for many users. I actually happen to like Word quite a lot and use it for most of my composition, but I'm a bit nutty as techies go.

Reading view is one of those nifty features. To activate it, go to the "view" tab in Word 2007 or later, then choose "Full-screen reading."
Choosing full screen reading

When you do that, a single page will appear, with your font larger, and with everything else in Word blocked out. Easier to edit, easier to focus, and easier to simply be alone with your words. 

Full screen reading view in action!


This month I'm participating in the A-Z blog challenge. My theme is "writer hacks," or 26 shortcuts you can do as a writer to get the most out of writing and the journey toward and through publication. Find out more about it at a-to-zchallenge.com, and hop around to read the other cool blogs that are part of the challenge!
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